João Pedro Faro is interested in both dissonant and harmonizing experiences between image (textures, resolutions, shapes) and sound (pitches, melodies, scratches).
João Pedro Faro is currently taking a History degree and making films, mostly narrative approaches towards experimental processes. The non-archival work is all shot on a HD camcorder (HMX-F80) and shot with a zero-budget (Sombra, Extremo Ocidente, love love eutanásia).
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artist’s info