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Britt Hatzius

In her practice, Britt Hatzius investigates our changing relationship to media and technology, exploring ideas around language, interpretation and the potential for discrepancies, ruptures, deviations and (mis-)communication.

Britt Hatzius (UK/DE) works in film, video, sound and performance. Her work has been shown internationally at performance, film, media arts festivals and institutions including Bozar (Brussels), VIA (Mons), Mois Multi (Quebec City), Ruhr Triennale (Germany), GOMA (Brisbane), FIBA (Buenos Aires), PUSH (Vancouver), PS122 (New York), Culturgest (Lisbon), Contemporary Arts Centre (Cincinnati), Time Based Arts Festival (Portland), Belluard Bollwerk International Festival (Fribourg) and International Film Festival (Rotterdam). She completed a degree in Fine Art Media at Chelsea College of Art London in 2002, an MA in Photography and Urban Cultures at Goldsmiths University London in 2005, where she teaches on the MA Studio Sociology and has worked on research projects within Studio INCITE (Critical Enquiry into Ethnography and Technology).

Projects include audio-visual installation ‘In Order Not To Be There’ (2017), audio-performance ‘Blick Auf Das Bewegte Bild’ (2017), performance ’Blind Cinema’ (2015), site-specific installation ’As Never Before, As Never Again’ (2014), and cinematic installation ‘Micro Events’ (2013).

Available Videos
Britt Hatzius
In Order Not To Be There / 13:00 / 2017 ▶
Britt Hatzius
Blind Cinema / 01:00 excerpt / 2015 ▶
Britt Hatzius
As Never Before As Never Again / 11:15 / 2014 ▶
Britt Hatzius
Micro Events / 01:00 excerpt / 2012 ▶
artists’s info

Website: britthatzius.co.uk