Anne Haaning

Anne Haaning’s practice revolves around an interest in digital ontology and myth.

My ongoing artistic research ties myth and technology together through the proposition that human commitment to the digital is profoundly rooted in the origins of human nature. The backdrop to this technological myth, or mythical technology, is what I’ve labelled Digital Colonialism.

In 2016, I was awarded a research fellowship with The Norwegian Artistic Research Programme, following my MFA in fine art from Goldsmiths. My work has been shown internationally in among other venues: The Jerwood Space and Whitechapel Gallery, London, Taipei Contemporary Art Center, the Islandic Biennial: Sequences Vll, CPH:DOX, Kurtzfilmtage Winterhur, Medrar, Cairo, Nottingham Contemporary, FACT, CCA, Glasgow International and Jeune Creation, Paris. I was awarded the Jerwood/FVU Awards and the Solo Prize at the Spring Exhibition, Charlottenborg Kunsthal in 2014.

Available Videos to watch
Anne Haaning
Mother of Monsters / 06:39 / 2015 ▶
Anne Haaning
v.xx (Dyslexic Odin) / 2014 ▶
Anne Haaning
KhoiSan Medicine / 12:20 / 2014 ▶
Anne Haaning
Delete / 09:50 / 2014 ▶
Anne Haaning
How to Other / 02:59 / 2013 ▶
artists’s info

Download CV here
Download Artist Statement here
Artist Questionnaire